Fortunately, the lenses for the Hasselblad deliver it in spades! Carl Zeiss 150mm Sonnar, 80mm Planar & 50mm Distagon No matter how technologically advanced, reliable, or easy to handle the rest of the camera may be, if the lens doesn’t provide good optical performance, it’s all in vain. The single most important component on any camera is the lens. Let’s take a more detailed look at each of these. The basic V system camera consists of four main interchangeable components lens, body, film back and viewfinder. In this article, I will explain some of the features and benefits of this superb photographic tool and also discuss a few different configurations of the fully mechanical 500C/M model that demonstrate the flexibility of the Hasselblad V system. It embodies a modular design that allows components to be mixed and matched with ease to create the perfect camera for any specific assignment. The brainchild of Victor Hasselblad, the original 500C model, launched in 1957, was also one of the first true system cameras. Hand-built in Sweden, the Hasselblad 500 series of cameras is one of the most popular medium format systems of all time. Leica 90mm F/4.0 Collapsable Elmar Leica 90mm F/4.0 Collapsable Elmar Leica 90mm F/4.0 Collapsable Elmar Leica 90mm F/4.0 Collapsable Elmar Leica 90mm F/4.0 Collapsable Elmar Leica 90mm F/4.0 Collapsable Elmarġ comment Hasselblad 500C/M August 10th, 2011 by Dave Carroll Optically, it’s a simple lens, based as it is on the Tessar formula, but what really matters is how the photographs taken with it look, and in that respect, it really performs! The following images are all shot at the maximum aperture of F/4.0 and show very well the sharp, low contrast characteristics of this fine vintage lens. The solid all-metal construction gives great confidence in use, and feels great, although it’s no lightweight because of it. Mechanically, this lens is a jewel! The quality of the fit and finish is superb, and the aperture and focusing rings operate with a precision that is sadly missing from a lot of modern gear. To take a photograph, the lens is pulled out from the body and rotated into the locked extended position, which also disengages the focus lock mechanism that prevents the focusing ring from turning while collapsed. Leica M2 with 90mm F/4.0 Collapsable ElmarĪs the name would suggest, this lens can be collapsed into the camera body for carrying or storage and, in this position, it is no larger than some 50mm lenses of the era. The deal was also sweetened by the inclusion of a 1955 90mm F/4.0 collapsable Elmar lens, and although I already have two other lenses of this focal length, I was intrigued to see how it would perform. ![]() The camera itself is great there is some cosmetic wear as is to be expected on a camera of this age, but after a bit of a clean up, and some dry-firing of the shutter, everything is working smoothly. Since getting a Leica M3 the year before last, I’ve come to really appreciate the combination of compact design, excellent build quality and fantastic lenses that the system offers, so when I saw a 1965 M2 for sale locally, I decided that I really needed a backup body and snapped it up.
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